<p>The Fontenelle Bank is a historic building in Bellevue, Nebraska. It was built with bricks in 1856, and the facade was designed in the Greek Revival style, with pilasters, and the Italianate style, with "the elaborate window caps and the elongation of the wall openings." It housed the Fontenelle Bank in 1856–1857, and it was the first Sarpy County Courthouse from 1861 to 1875, followed by Bellevue&#39;s town hall until 1959. It has been listed on the National Register of Historic Places since April 16, 1969.</p><br>
<p>The Marwood Apartments is an apartment building located at 53 Marston Street in Detroit, Michigan. It was listed on the National Register of Historic Places in 2019.</p><br>
<h2>History</h2><br>
<p>Detroit expanded greatly in the 1910s and 1920s, creating a boom in housing construction of all types, notably including the construction of large apartment buildings. In 1925, developer Emil C. Pokorny of Pokorny & Company hired local architect Harvey J. Haughey to design this building, one of five Porknoy developed in Detroit. Construction began late that year, and was finished in mid-1925. The apartments were rented as fully furnished units. The apartments were marketed to professionals and white-collar workers, and residents included a number of teachers as well as an embalmer, nurses, stenographers, a solicitor, an accountant, and bookkeepers. Notable early residents at the Marwood included boxing promoter manager Al Werbe, silent film start Allan Forrest, and organist F. Dudleigh Vernor, who composed the song Sweetheart of Sigma Chi.</p><br>
<p>In 2016, the Marwood Apartments was acquired by Develop Detroit, a nonprofit dedicated to preserving affordable housing. The group plans to renovate the 53 existing apartments, and construct a similarly sized building on an adjacent lot, which will add up to 60 new apartment units.</p><br>
<h2>Description</h2><br>
<p>The Marwood Apartments is a U-shaped four-and-a-half-story, Neoclassical multi-tone red brick building. It has a flat roof and a raised basement. The U shape creates a narrow courtyard in the center, which leads to the building entrance at the back of the courtyard. The entrance is located in a projecting, one-story pavilion, and consists of a door with surrounding sidelight and transom. Flanking the entrance are tall arched opening on the first floor, containing double-hung windows. Five windows double-hung are on each floor above. The front of the courtyard is decorated with limestone piers.</p><br>
<p>The ends of the "U" make up the front facade. Each end has a tall limestone basement level, with window sills that are just above ground level. The brick walls above contain projecting stretcher courses at regular intervals, creating a rusticated look. Every floor has four window openings with limestone lintels below and limestone keystones above. A limestone entablature and a stone balustrade within a limestone frame tops the building. Other walls have similar window openings.</p><br>
<p>The Karrick Block in Salt Lake City, Utah, is a 3-story, brick and stone commercial building designed by Richard K.A. Kletting and constructed in 1887. The building is Kletting&#39;s earliest work to survive in the city, and it was added to the National Register of Historic Places in 1976. Architectural historian Allan D. Roberts described the building as "essentially a Victorian work."</p><br>
<p>During construction the Karrick Block was known as Karricks White Elephant, a name borrowed from the adjacent White Elephant Saloon, when it was discovered that the saloon overlapped Karricks property by several inches. Roberts & Nelden pharmacy was an early tenant of the building, and the building housed eight prostitutes.</p><br>
<p>Lewis C. Karrick owned mining and mercantile interests, and he served on the city council in the 1880s. After he lost his fortune to bad investments, his wife, Sarah (Ellerbeck) Karrick, filed for divorce in 1904. Karrick died of a self inflicted gunshot wound in 1905. His son, Lewis C. Karrick, Jr., became a petroleum engineer who developed a mineral extraction technique known as the Karrick process.</p><br>
<p>The Karrick Block was covered in a Utah State information form of 1979.</p><br>
<p>The Beaver Opera House, at 55 E. Center St. in Beaver, Utah, was listed on the National Register of Historic Places in 1982.</p><br>
<p>It originally had capacity for 1,000 seated persons.</p><br>
<p>It was designed and built by architects Liljenberg and Maeser, for $20,000.</p><br>
<p>It is built of tuff, the pink stone that is used in many other Beaver buildings.</p><br>
<p>It served as a "center for community and church affairs" and as a theatre for about two decades.</p><br>
<p>Performers included Walter Christensen, Ralph Cloninger, Luke Gosgrave, and Shelby Roach.</p><br>
<p>From 1929 to c.1955, it was used for offices and storage by the Utah National Guard.</p><br>
<p>The Lollin Block, at 238 S. Main St. in Salt Lake City, Utah, is a three-story brick and stone commercial building designed by Richard K.A. Kletting and constructed in 1894. The building includes a plaster facade "scored to give the appearance of smooth, cut stone," with a denticulated cornice and Classical Revival features. It was added to the National Register of Historic Places in 1977.</p><br>
<p>Well known as a saloon keeper, John Lollin (January 3, 1840 – April 7, 1915) was a Danish immigrant and 1857 pioneer who engaged in several business ventures prior to constructing the Lollin Block. He and Diantha (Mayer) Lollin lived on the third floor of the building from 1894 until Lollin&#39;s death in 1915. Diantha Lollin continued to reside in the building until 1934. Their son Carl lived in the building until 1960.</p><br>
<p>The building cost $13,000. The first floor was leased by the Davis Shoe Company during 1901 to 1913, by a Hudson Bay Fur Company store during 1915 to 1965, and by Music City and the G.E.M. Music Store during 1965 to 1979 or later.</p><br>
<p>Mr. Lollin was apparently "adequately impressed" with Kletting&#39;s work in the adjoining Karrick Block (1887) at 236 South Main Street to commission this.</p><br>
<p>The William F. Beer Estate, in Salt Lake City, Utah, was listed on the National Register of Historic Places in 1977. It included four contributing buildings.</p><br>
<p>The main house, at 181 B Street, is a four-story 26-room, sandstone and brick house built in 1898–99. It is a work of architect Richard K.A. Kletting.</p><br>
<p>The "Small House", at 222 Fourth Avenue, is two-story pioneer era structure built with fired brick on a sandstone rubble foundation. It was probably built before 1880 and is one of the oldest buildings in The Avenues neighborhood.</p><br>
<p>It was home of physician Dr. William Francis Beer (1870-1949), who was a charter member and honorary president of the Utah Medical Society. He also was involved in mining. During World War I he attended German prisoners of war at Fort Douglas, Utah. Due to his effort in bringing the men through the influenza epidemic without any fatalities, he received an Iron Cross from Paul von Hindenberg in the early 1930s.</p><br>
<p>The McIntyre Building is a historic commercial building in downtown Salt Lake City, Utah, United States, that is listed on the National Register of Historic Places .</p><br>
<h2>Description</h2><br>
<p>The building is located at 68-72 South Main Street and was designed by architect Richard K.A. Kletting in Sullivanesque style.</p><br>
<p>It has been said to be "the earliest and best example of Sullivanesque architecture in the state" (besides the Dooly Building, demolished, designed by Louis Sullivan himself).</p><br>
<p>It was believed to be the "first all reinforced concrete and fireproof building west of the Mississippi River" when it was completed in 1909.</p><br>
<p>It was originally I-shaped in plan, and this has only been modified minimally. It has clerestory windows over its main stairway.</p><br>
<p>The building was listed on the NRHP July 15, 1977.</p><br>
<p>The Andrew J. Stevens House is a single-family home located at 4024 Oakland Drive in Kalamazoo, Michigan. It was listed on the National Register of Historic Places in 1983. It is one of the few examples of an L-plan, Greek Revival farmhouse that still exists in Kalamazoo.</p><br>
<h2>History</h2><br>
<p>Andrew J. Stevens was born in New York State near the beginning of the 19th century. In 1834, as a young boy, he moved to Kalamazoo with his family. His father purchased a farm and Andrew grew up as a farmer. In 1854 had this house built for himself and his wife, Martha on land adjacent to his father&#39;s farm. Stevens lived in the house until his death in 1909. A rear kitchen and family room were later added to the house, and a detached garage was added near the house in the 1980s, and the house underwent substantial renovation in the following years.</p><br>
<h2>Description</h2><br>
<p>The Stevens House is a frame, Greek Revival structure consisting of a two-story end-gable main section and 1-1/2-story, flank-gable wing. The house is set on a tree-lined road, set well back from the road. A veranda with square posts fronts the wing section and shelters the main entrance. The house has its original double-hung, six-over-six windows and nearly all of its original Greek Revival trim. On the interior, most of the first floor has hardwood oak floors, and the second floor retains its original pine wood floor.</p><br>
<p>The Myton Presbyterian Church, in Myton, Utah, was built in 1915 and served as a church until 2015. It was listed on the National Register of Historic Places in 2017.</p><br>
<p>According to Utah State preservation specialist Mardita Murphy, it is "the oldest surviving building in Duschesne County".</p><br>
<p>After the church was closed it was put up for sale, and journalist Reed Cowan purchased it intending to use it as a second home. However he came to understand the local community importance of the church and chose to keep it open to the public instead.</p><br>
<p>It is open for use for weddings and other events.</p><br>
<p>The Stuart Area Historic District is a primarily residential historic district in Kalamazoo, Michigan, roughly bounded by the Michigan Central Railroad, Douglas, Forbes, West Main, North, and Elm Streets, and Kalamazoo and Grand Avenues. The bulk of the district was listed on the National Register of Historic Places in 1983, with additions in 1995.</p><br>
<h2>History</h2><br>
<p>In the 1840s and 1850s, the Stuart area began to be developed as a largely rural suburb adjacent to Kalamazoo. The nearby Mountain Home Cemetery, located just to the west (and part of the district) was platted at about the same time. The construction of the Charles E. Stuart House by senator Charles E. Stuart in 1854 marked the beginning of an upswing in development. However, the area remained semi-rural until 1884, when a horse-car line was established in the neighborhood. This began an increase in development that lasted into the twentieth century. During this time, the neighborhood became the city&#39;s most fashionable residential district, as the most prominent businessmen and manufacturers built houses there. These included no less than three United States senators: Charles E. Stuart, Francis B. Stockbridge, and Julius C. Burrows. This was a time that the city was booming, and the wealth of its leading citizens was reflected in the houses they built for their families. In addition, more middle-class families moved into the smaller houses in lots surrounding the core in the Stuart area. These were typically skilled tradesmen, professionals, and small business owners.</p><br>
<p>As the twentieth century started, the housing shortages in Kalamazoo made the Stuart neighborhood, by then very accessible from the heart of downtown, an attractive place for redevelopment. Some of the earliest large mansions were sited on deep lots, the rear of which were subdivided to provide space for additional housing. Today, the neighborhood retains much of its original historic character and integrity.</p><br>
<h2>Description</h2><br>
<p>The existing district contains 322 homes, while the later addition contains an additional 53 homes. These structures are primarily mostly single and multi-family residences, built in the late nineteenth and early twentieth-century, and spanning a variety of architectural styles and types. The district particularly contains examples of Greek Revival, Gothic Revival, Italianate, Eastlake, Queen Anne, and Colonial Revival styles. The district also contains Mountain Home Cemetery, incorporated in 1849.</p><br>
<p>Koshland House, also known as "Le Petit Trianon", is a private residence in the Presidio Heights neighborhood of San Francisco, California. It has been one of San Francisco&#39;s most prominent and celebrated homes for over 100 years.</p><br>
<p>The property was established as San Francisco Landmark 95 by the City and County of San Francisco on July 9, 1977, In 1976, it received high ratings in San Franciscos Department of City Plannings "Architectural Inventory", which rates only the top 10 percent of San Francisco&#39;s buildings.</p><br>
<h2>History</h2><br>
<p>The mansion, located at 3800 Washington Street, was constructed from 1902 to 1904 for Marcus and Corinne Koshland. Marcus Koshland (1858–1930) was a son of Simon Koshland, the founder of Koshland Brothers, a firm that imported and exported wool, hides and fur.</p><br>
<p>In 1900, Corinne, Marcus, their three children (Daniel, Robert and Margaret) and a nursemaid embarked on a European tour, which took them to France. There, Corinne fell in love with the Palace of Versailles and especially with the Petit Trianon, thus inspiring the construction of the home on a lot at the corner of Washington and Maple streets, a gift from her father.</p><br>
<p>Corinne Koshland, because of her love of music, played an important role in the establishment of the San Francisco Symphony and the San Francisco Opera. During her lifetime, the home was the scene of musical events which generated support for the Symphony. Musicians who either entertained or were houseguests at the house during this period included Yehudi Menuhin (whose education was partially financed by Mrs. Koshland), Issac Stern, Leonard Bernstein, Jascha Heifitz, Pierre Monteaux and Igor Stravinski.</p><br>
<p>In 1912, Corinne and Marcus hosted an eighteenth-century themed soirée in the home&#39;s ballroom, in celebration of a visit from Boston relatives. Every Hannukah from 1928 to 1940, Cantor Reuben Rinder of Temple Emanu-El conducted Jewish musicals in the home.</p><br>
<p>The second owners of the mansion were Mr. and Mrs. Walter Buck, who purchased it for $100,000 in March 1955. He was a successful financier who served for a time as president of the California Palace of the Legion of Honor.</p><br>
<p>Walter Buck remained in the home until 1977, when the mansion was purchased by attorney Paul Renne for $525,000. The house changed hands again in 1982, to be owned by Charles Pankow and Heide Betz, an art consultant. It was later owned by internet pioneer Halsey Minor, who lost it in a bankruptcy sale.</p><br>
<p>By 2015, the house had fallen derelict and was squatted. In 2019, it was put on the market by Joel Goodrich for $30 million.</p><br>
<p>In both 1982 and 2019, it was the site of the San Francisco Decorators Showcase, which brings together the Bay Areas best designers to show off their talents.</p><br>
<h2>Architecture</h2><br>
<p>Designed by Franklin S. Van Trees, it was modeled after the Petit Trianon, a château located on the grounds of the Palace of Versailles in Versailles, France. While there are minor differences in the details, the concept, massing, and proportions of 3800 Washington are virtually identical to the French original.</p><br>
<p>The building is also associated with the work of artist Bruce Porter, who designed and executed the art glass windows and the original formal landscaping (since replaced).</p><br>
<h3>Exterior</h3><br>
<p>The nearly 18,000 square foot, three-story building (above a partially submerged basement) is approximately sixty feet wide by seventy-five feet deep. It is of brick construction with a Colusa sandstone veneer. The sandstone is regular ashlar blocks, l-6" x 5-0" generally, 4" thick, tied onto the structure with wrought iron or mild steel cramps. The exterior face of the block and carved ornament is dressed in a regular horizontal pattern of grooves called broaching, or broached ashlar. The presence of a fine red lichen growing on the stone gives the building a pinkish cast.</p><br>
<p>The front elevation of the home is an academic replica of the Petit Trianon at Versailles, designed by Ange-Jacques Gabriel in 1761 for Louis XV. It features a balustraded parapet atop the second floor, over a classical entablature with bracketed cornice, plain frieze, and banded architrave. It is composed of five equal bays separated by four Corinthian columns. The columns have traditional Corinthian capitals, slender fluted shafts two stories high, and attic bases resting upon smooth-faced plinths.</p><br>
<p>The monumental sandstone terraced entrance features white marble steps and landings rising to a pair of symmetric curving stairs which arrive at a broad marble terrace, which is the main entrance to the building. There are four cast iron light standards, each about nine feet tall, which feature lavender glass spheres on top and clusters of four dolphins at the base.</p><br>
<p>There are regularly spaced French windows at both floors. The first floor has pairs of ten-light casements below an eight-light transom. The upper floor has pairs of eight-light casements. The third floor has a flat roof, painted cement plaster exterior walls, and irregularly spaced double hung windows.</p><br>
<p>The east elevation has the same parapet and entablature. It is divided into five bays, with four Corinthian pilasters similar in detail to the front columns. It is here that the basement level can be seen. It is surfaced in heavily rusticated sandstone with deep-set openings for double hung windows, secured behind tubular wrought iron grilles.</p><br>
<p>Between the four pilasters are three large art glass windows designed by artisan and poet Bruce Porter, who was born in 1865. The middle window bears the greeting Salve (Welcome) and the date MCMIV. The flanking windows are images of female-headed terns. There are three smaller art glass windows at the third level, and all are executed in a palette of pink, purple, green, yellow, and blue.</p><br>
<p>The rear elevation, which is also framed with the parapet, entablature, and rusticated base, has no pilasters or columns. It has unevenly spaced openings, all glazed with the same window type as the front. There is also a small sandstone stair that leads from the garden level to the first floor in one continuous rise. There is one small unglazed opening on the second floor which opens onto a porch, and there is a large fireplace stack centered on the east one-half of this elevation and extending above the parapet.</p><br>
<p>The west elevation has irregularly spaced openings, reflecting the plan functions within. It, too, has a large fireplace stack extending above the parapet. It features a cast iron and glass enclosed entrance porch.</p><br>
<p>Much of the cornice and all four front columns collapsed in the San Francisco earthquake of 1906, but were replaced soon thereafter.</p><br>
<h3>Interior</h3><br>
<p>The interiors of 3800 Washington feature many notable rooms.</p><br>
<p>Foyer. The foyer is a small rotunda with white marble floors and dark green marble walls. It is flanked on either side by a pair of small conservatories, each accessed by three pair of curved French doors. Each conservatory has a large stone planter.</p><br>
<p>The Atrium. This room was designed to bring light into the center of the house. An opening roughly eighteen feet on each side penetrates the two uppermost floors of the building and is capped by a skylight. At the first floor, the atrium features eight green Irish marble columns with bronze capitals and bases.</p><br>
<p>The Salon. The original decor (no longer existent) of this room was said to have been imported in its entirety from an 18th century French chateau. The room features a 12-foot-high white marble fireplace with a rose marble inset. The room is paneled in a light, soft wood which appears to have been sandblasted. There are large wooden columns, pediments, and cornices and a plaster barrel vaulted ceiling.</p><br>
<p>The Library. This room was designed to conceal books behind a system of large wooden panels which are detailed with concealed hardware. The panels are flanked by large wooden columns, and all of the woodwork was originally a dark mahogany. There is an elaborately coffered ceiling and rust-colored marble fireplace.</p><br>
<p>The Dining Room. This room was also paneled in two dark-colored woods and originally featured accents of gold-tooled green leather. The leather has been removed. There is a beamed ceiling with gothic detailing and an enormous fireplace with dark green marble facing and a wooden mantel supported by two nearly life-size carved figures of Bacchus.</p><br>
<p>The Ballroom. In the basement, there is a large hall of mirrors which runs the entire width of the house. Each wall features panels of mirrors framed by elaborate gilded boiserie. There are raised platforms at each end which were designed to be used as stages for musical performances. The finishes in this room were restored to their original character in 1982, although the original silvering on the mirrors remains.</p><br>
<p>Second Floor Living Room. The second largest room in the house, it originally featured a dark wooden wainscot and beamed ceiling. It, too, has a large fireplace, this one in tan stone with an arched opening.</p><br>
<p>The Peery Hotel in Salt Lake City, Utah, is a 3-story Prairie style building that incorporates Classical Revival design elements. The hotel was designed by Charles B. Onderdonk and Irving Goodfellow and constructed in 1910 in what is now the city&#39;s Warehouse District. It was added to the National Register of Historic Places in 1978.</p><br>
<p>The Peery Hotel was constructed at a time of rapid growth in Salt Lake City, and its location was close to the new commercial center, including what is now the Exchange Place Historic District. The Denver and Rio Grande Depot and the Salt Lake City Union Pacific Depot were constructed about the same time as the Peery Hotel. The hotel was financed by members of the David Harold Peery family with funds from the Peery Estate. David Henry Peery, heir and oldest son of Harold Peery, had planned a smaller hotel for the site in 1907, but construction stopped prior to his death later that year. New hotel plans were drawn in 1909, and the Peery Hotel opened in 1910 under the direction of Peery&#39;s mother, Elizabeth Peery.</p><br>
<p>Harry K. Miles leased the hotel in 1925, and in 1947 he purchased the property and named it the Miles Hotel.</p><br>
<p>The Henderson Block, at 375 W. 200 South in Salt Lake City, Utah was designed by architect Walter E. Ware and was built in 1897–98. It was listed on the National Register of Historic Places in 1978. It was also included as a contributing building in the Warehouse District.</p><br>
<p>It is a three-story warehouse with floor heights of 24, 20, and 16 feet. The original building is 74x100 ft in plan. It is built of masonry, with post and beam construction. Its upper levels are supported by three rows of wooden posts, which are built upon three rows of brick and stone load-bearing piers in the basement and street levels. It was expanded in 1936 by addition of a 51x50 ft one-story addition.</p><br>
<p>The warehouse is more decorated than most of its peers (brick warehouses in Utah). It was deemed one of the best-preserved early works of architect Ware, "and considered in the context of other period warehouses, represents a high achievement in warehouse architecture."</p><br>
<p>It was one of 16 buildings included in listing of the Warehouse District as a historic district in 1982.</p><br>
<p>The John Sautter Farmhouse is a historic one-and-a-half-story farm house in Papillion, Nebraska. It was built in 1866 for John Sautter Sr., his wife Anna Elisabeth Lehner, and their three sons. The Sautters were immigrants from Ostdorf, Balingen, Württemberg, Germany. After John Sr. died in 1905 and his wife died in 1914, their son John Jr. lived on the farm until 1943. The house was acquired by the Papillion Area Historical Society in 1979 and relocated from North Papillion to its current location. It has been listed on the National Register of Historic Places since September 30, 1980.</p><br>
<p>The Zweibel Farmstead is a historic estate with a farm house and several outbuildings in Papillion, Nebraska. It was established by George Zweibel and his wife Sophia. The house was built with limestone in 1867, followed by a barn, also built with limestone, in 1871. The property was inherited by their descendants, who lived in the house until the 1960s. It has been listed on the National Register of Historic Places since November 30, 2000.</p><br>
<p>The McCarty-Lilley House is a historic two-story house in Bellevue, Nebraska. It was built as a one-story house in 1865 by Robert McCarty, a veteran of the Mexican–American War of 1846-1848 who fought in the Battle of Buena Vista and the Battle of Chapultepec. He also served as a Democratic county commissioner for Sarpy Counter in 1857 and 1860. The house was inherited by his granddaughter Susie in 1903, who lived here with her husband James Lilley and their ten children. They added a second story and an attic in 1918. The house was listed on the National Register of Historic Places in 1978, and was delisted in 2020.</p><br>
<p>The McCornick Building, at 10 W. 100 South in Salt Lake City, Utah, was built in 1890–93. It is also known as the Crandall Building. It was listed on the National Register of Historic Places in 1977.</p><br>
<h2>Description</h2><br>
<p>The seven-story commercial building is one of few surviving from those built during Salt Lake City&#39;s building boom before the Panic of 1893.</p><br>
<p>It was built for William S. McCornick (1837-?), "a classic western entrepreneur whose business success mirrors the history of western economic development" who derived from a farm near Picton, Ontario, Canada, and who arrived in Salt Lake City in 1873.</p><br>
<p>It was deemed "an outstanding example of the transitional period of commercial architecture which anticipated Louis Sullivans skyscraper&#39;</p><br>
<p>movement, originally situated among small one- and two-story stores which it dominated, the McCornick Block is significant as a precursor in the development of early modern architecture in Salt Lake City, as evident in the purely Sullivanesque McIntyre Building (National Register nominee) which adjoined the McCornick Block on the north in 1909."</p><br>
<p>It was designed by Louis Mendelssohn of architects Mendelssohn, Fisher and Lawrie, of Omaha, Nebraska.</p><br>
<p>It was owned and managed by Robert E. Crandall for 50 years.</p><br>
<p>The Ririe Community Hall, at 455 Main St. in Ririe, Idaho, was listed on the National Register of Historic Places in 2019.</p><br>
<p>It is a one-story log building built in 1933–35, funded by the Federal Emergency Relief Administration.</p><br>
<p>It was the only recreational facility in Ririe until 1967. It was used by physical education classes, by bands and choirs, and by dance classes of the high school and elementary school, and it was used for community events as well.</p><br>
<p>The Home Bank and Trust Company is a historic bank building at 1200 N. Ashland Avenue in the Wicker Park neighborhood of Chicago, Illinois. The bank was organized in 1911 to serve the surrounding neighborhood, which was expanding as transportation to downtown Chicago improved. It became an institution for the neighborhoods Polish American community, both by providing it with financial services and by having many Polish employees and directors. The banks 1926 Renaissance Revival building was designed by Karl M. Vitzthum. Vitzthum was a Chicago architect known for designing both banks and skyscrapers. The six-story building&#39;s design includes a three-story arched entrance flanked by two-story arched windows, limestone carvings, pilasters on the upper three stories, and a cornice and frieze along its roof. The Home Bank and Trust Company merged into the Manufacturers National Bank of Chicago in 1948, but its building still serves as a bank.</p><br>
<p>The building was added to the National Register of Historic Places on February 21, 2007.</p><br>
<p>The Peter and Jessie Huntsman House, at 155 W. Center in Fillmore, Utah, was built around 1871. It was listed on the National Register of Historic Places in 1995.</p><br>
<p>It was built by local builder/architect Hans Hanson, a graduate of the University of Odense, Denmark, who came to Fillmore in 1863 ("was sent by Brigham Young") and built more than 200 structures in the area, many similar to this one,</p><br>
<p>It is a painted brick two-story home with a central-passage plan and Classical stylistic features. It garnered a one-story addition to the rear c.1937. A root cellar behind the house was converted to a bomb shelter c.1958.</p><br>
<p>"The architectural style of the house is a vernacular interpretation of the Federal style with a central-passage form, popular in Utah between 1847-1900. The home&#39;s restrained Classicism makes it a good example of the Federal style with features that include the symmetrical facade, side gables, low-pitched roof, and lintel-type window heads. / The house is constructed of red brick (now painted green), three wythes thick in a common bond pattern, has a sandstone foundation, and floor joists resting on native, hand-hewn logs."</p><br>
<p>The Fillmore City Cemetery, at 325 East 600 South in Fillmore, Utah, was started in 1852. It was listed on the National Register of Historic Places in 2012.</p><br>
<p>It is a cemetery similar to that of 35 other Mormon villages compared in a study.</p><br>
<p>It was established when the Territorial Statehouse was under construction and the Utah Territorial Legislature was meeting in Fillmore.</p><br>
<h2>Notable graves</h2><br>
<p>John Gunnison (1812–1853), leader of the ill-fated Gunnison–Beckwith expedition</p><br>
<p>Amasa Mason Lyman (1813–1877), early Latter Day Saint movement church leader</p><br>
<p>Proctor Robison (cenotaph), whose death at age 14 in 1857 was construed a cause for the Mountain Meadows Massacre</p><br>
<p>The Deseret Relief Society Hall, at 4365 S. 4000 W. in Deseret, Utah, was built in 1906. It was listed on the National Register of Historic Places in 1995. It was built for use by the relief society of the Deseret Ward of The Church of Jesus Christ of Latter-day Saints.</p><br>
<p>It is a modest 24x38 ft building with some Victorian Eclectic style. It has an entrance porch with Queen Anne detailing in its spindled brackets and lathe-turned columns. The porch in the west-facing gable end facade, and there are cornice returns in the gable conveying Classical style.</p><br>
<p>It served as a religious structure, as a school, as a meeting hall, and as a clinic.</p><br>
<p>It is located on Utah State Route 257, the main north–south road running through Deseret.</p><br>
<p>St. Stephen&#39;s Episcopal Church is a historic church  in Ashland, Nebraska, currently serving as an event and exhibit space for the Ashland Arts Council.</p><br>
<p>It was built with board-and-batten in 1872 for the Episcopal Church, after Robert Harper Clarkson, the first bishop of the Episcopal Diocese of Nebraska, approved its construction in 1871.</p><br>
<p>The church was designed in the Gothic Revival style, with "a steeply pitched gable roof whose ridge is straddled by a belfry at the eastern end," and is considered one of Nebraskas best examples of the style. The design is similar to others by Richard Upjohn; however, the architect and builder of the church is unknown, and the extent of Upjohns influence has not been ascertained.</p><br>
<p>The only Episcopal church in Saunders County, it was listed on the National Register of Historic Places on January 25, 1979. In 1992, the diocese closed the parish and sold the church to the Ashland Arts Council, which has maintained it ever since.</p><br>
<p>The Wahoo Burlington Depot is a historic two-story building in Wahoo, Nebraska. It was built in 1886 for the Omaha & North Platte Railroad Company, and painted in red and green. According to the National Register of Historic Places form, "it was leased to the Chicago, Burlington and Quincy Railroad in 1886 and later deeded to them in 1908. The CB&Q became the Burlington Northern Railroad in 1970. The depot closed in 1972 when a mobile agency was instituted and the tracks were abandoned three years later. Today, it is the only remaining depot of the three in Wahoo." It has been listed on the National Register of Historic Places since May 9, 1985.</p><br>
<p>The National Bank of Ashland is a historic two-story building in Ashland, Nebraska. It was built with bricks and stones in 1889 for the National Bank of Ashland. It was designed in the Richardsonian Romanesque style by I & I Hodgson Jr. in 1889, and redesigned by Fred Organ in 1935. It housed the National Bank of Ashland until, when it was taken over by the Citizen&#39;s National Bank until 1947. The building was subsequently remodelled as a law firm office for the Lutton Law Office until the 1980s at least. It has been listed on the National Register of Historic Places since January 27, 1983.</p><br>
<p>The Kinner House is a historic house in Holdrege, Nebraska. It was built in 1903 for the Tibbals family, including Francis M. Kinner who was married to one of the Kibbals&#39; daughters, and was designed in the Classical Revival style, with "ionic columns, decorative door surround and the symmetrical facade." It has been listed on the National Register of Historic Places since April 14, 2004.</p><br>
<p>The Nuckolls County Courthouse is a historic two-story building in Nelson, Nebraska, and the courthouse of Nuckolls County, Nebraska. The county court proceedings were held in two other buildings prior to its construction: in a courthouse built in 1873, and in the Nelson opera house built in 1887. The third building and current courthouse was built in 1890, and designed in the Classical Revival style by architect George E. McDonald. It has been listed on the National Register of Historic Places since January 10, 1990.</p><br>
<p>Boscobel is a historic two-story house in Nebraska City, Nebraska. It was built in 1879 for Rollin M. Rolfe, a grocer, banker and co-founder of the Midland Pacific Railway who served on Nebraska City&#39;s city council as a Republican in 1873. The house was designed in the Italianate style, with "paneled and bracketed cornice" and "stone quoins." Rolfe moved out of the house in 1886. It has been listed on the National Register of Historic Places since June 17, 1976.</p><br>
<p>It was deemed a "fine example" of Italianate style in Nebraska, though like other surviving examples it is modest in its implementation of the style, forgoing extra flourishes.</p><br>
<p>The name "Boscobel", as applied apparently first to the 1632-built Boscobel House in England, associated with the escape of King Charles II after being defeated by Cromwell at the Battle of Worcester, was believed to derive from the Italian phrase bosco bello meaning "in the midst of fair woods".</p><br>
<p>The USA Post Office is a historic building in Nebraska City, Nebraska. It was built by Harry Wales in 1888, and designed in the Romanesque Revival style by M.E. Bell. By the 1970s, it was "the oldest Post Office in continuous use in Nebraska."</p><br>
<p>It was intended to serve as a USA Court House and Post Office, but there is no record of it ever having served as a courthouse. It has been listed on the National Register of Historic Places since September 3, 1971.</p><br>
<p>The Jasper A. Ware House, now known as the Wildwood Historic Center, is a historic one-and-a-half-story house in Nebraska City, Nebraska. It was built in 1869 for Jasper A. Ware, a farmer, real estate investor and co-founder of the Midland Pacific Railway. It was designed in the Gothic Revival style, with a "gabled roof, segmental arches, projecting gabled entrance pavilion, pointed arch window over entrance door, simple wooden tracery under two end gables." It has been listed on the National Register of Historic Places since July 16, 1973.</p><br>
<p>The E. F. Hempstead House is a historic two-and-a-half-story house in Pawnee City, Nebraska. It was built in 1887-1888 for E. F. Hempstead, a banker and businessman. It was designed in the Queen Anne style, with "porch walls faced with imbricated shingles and pierced with vents of open latticework." Moreover, "Columns above support oval shaped openings ending in circular finials at the entries." The house has been listed on the National Register of Historic Places since October 19, 1982.</p><br>
<p>The New York Hotel in Salt Lake City, Utah, at 42 Post Office Pl., was built in 1906. It was listed on the National Register of Historic Places in 1980.</p><br>
<p>It was a work of leading Salt Lake City architect Richard K.A. Kletting.</p><br>
<p>It is a three-story brick building designed to have shops on the ground floor and 62 hotel rooms above. Some hotel room suites had bathrooms; there were also single rooms served by a bathroom on each floor. It was "completely modern" in 1906, having both steam heat and electric lights.</p><br>
<p>The building is 49 ft tall; the first/second/third floors are 14 ft, 10. ft, and 10.5 ft tall, respectively.</p><br>
<p>It was built as a luxury hotel for Orange J. Salisbury, a mining engineer and businessman who obtained patents and started the United Filter Corporation.</p><br>
<p>The Robert Wilton Burton House, at 315 E. Magnolia St. in Auburn, Alabama, was built in 1885 in Queen Anne style. It was listed on the National Register of Historic Places in 1980.</p><br>
<p>It was deemed "significant for its associations with Robert Wilton Burton (1848-1917), a locally noted poet. Additionally, it is a good example of late 19th century vernacular cottages."</p><br>
<p>Robert Wilton Burton, "a native of Camden County, Georgia, was one of Auburn&#39;s most prominent and beloved citizens. From 1880 to 1885, he published four poems - "Fleetwood", "The Bell Ringer of Brinsely", "Q.K." and "The Master of Parton Place". With the money gained from these poems, Burton built this house which he affectionately called "The Four Story Cottage". It remained his home until his death in 1917. In addition to his literary efforts, Burton served the city of Auburn in a variety of positions. At the request of the Board of Trustees of Alabama Polytechnic Institute (now Auburn University), he opened a bookstore to serve the students of the city. In addition to operating the bookstore, he served as clerk of the Town Council (1892-1917) and as secretary for the API Board of Trustees (1899-1917), twice refusing appointment to the board."</p><br>
<p>The house was kept by Burton&#39;s daughter Miriam Barton Langston until 1977, when she sold it to the Church of Jesus Christ of Latter-day Saints.</p><br>
<p>The Robert Wilton Burton House was dismantled in 1993, per the historic marker at its site.</p><br>
<p>The Rispin Mansion is a historic mansion, on the National Register of Historic Places, located in Capitola, California. The building was constructed in 1921 by San Franciscan Henry Allen Rispin. It was built with four stories, 22 rooms, and over 7,100 ft&sup2; at a time when today&#39;s City of Capitola was still the unincorporated "Camp Capitola".</p><br>
<h2>History</h2><br>
<p>Henry Allen Rispin is considered one of the founding fathers of Capitola. He lost his fortune during the Great Depression and was forced to sell the mansion ten years after its establishment. It remained abandoned for many decades, incurring much vandalism and graffiti, as well as becoming the focus of many local ghost stories.</p><br>
<p>The city purchased the property in 1985 for $1.35 million. During this time it was used as a practice area for a local police SWAT team.</p><br>
<p>Beginning in the mid-1990s, developers viewed the property as having potential as a hotel. The matters were finalized in a 2004 legal settlement between the groups, stipulating that the property&#39;s space cannot be changed outside of the original facilities and the conservation group would be consulted if any changes were to take place during the construction.</p><br>
<p>In May 2009, the Capitola City Council approved a 55-year lease that would repair the grounds and turn it into a 25-room boutique hotel. The project was billed at $14 million. Initially, the developers intended to continue their projected renovations, but then decided against it. A unanimous decision was made to hold on to the property despite one council member&#39;s opinion that the property seems to be "cursed".</p><br>
<p>In 2024, Capitola began construction to convert the Rispin grounds into what will be named "The Park at Rispin Mansion". The 2012 repairs "entombed" the mansion, closing all access from the outside, and no further renovation is planned.</p><br>
<h2>Supernatural interest</h2><br>
<p>The Santa Cruz Ghost Hunters, received permission from the city to make a visit to the property during the middle of the night in order to film with a recording crew. The mansion is reportedly a "subject of fascination" for locals as well as "paranormal sleuths".</p><br>
<p>The main United States Post Office in Eugene, Oregon, is a 2-story Art Deco building designed by Gilbert Stanley Underwood and constructed in 1939. The front facade features blue and cream colored terracotta with black and buff colored accents, and pilasters separate multicolored window bays. The building is the only example of federal Art Deco architecture in Lane County, and it is the only federal building in Oregon to use multicolored terracotta. Murals painted by Carl Morris were installed in the lobby in 1943. The post office was added to the National Register of Historic Places in 1985. The corner at 5th and Willamette Streets contains three sites listed on the register.</p><br>
<p>The Bank of Anniston was a bank in Anniston, Alabama, United States, that failed in 1898. Its headquarters building, at 1005 Noble St. in Anniston, was built in 1888 and was listed on the National Register of Historic Places in 1985.</p><br>
<p>It was deemed "significant as a notable example, in Anniston, of a small Victorian neoclassical commercial building particularly distinguished by the use of stone ornamentation." It is one of few historic commercial buildings on Noble Street which survived "moderization" of the downtown area in the 1940s and later.</p><br>
<p>It was home of "Couch&#39;s Jewelers" in 1984.</p><br>
<p>The Tribune Building is a historic commercial building in Salt Lake City, Utah, United States, that is listed on the National Register of Historic Places .</p><br>
<h2>Description</h2><br>
<p>It is located at 137 South Main Street and built in 1924. It was listed on the NRHP July 30, 2012.</p><br>
<p>It has also been known as the Ezra Thompson Building after three-time mayor Ezra Thompson, or as the former Salt Lake Tribune building, as the newspaper was a longtime occupant until 2005.</p><br>
<p>It was one of only four high-rise buildings constructed in Salt Lake City between World War I and the Great Depression.</p><br>
<p>The property was vacant in 2008 when it was purchased by investors, as part of a transaction reported to be for $3.9 million.</p><br>
<p>In 2013 it became home of Neumont University.</p><br>
<p>It was a work of architects Pope & Burton. It is a two-part commercial block building. Although the lower level&#39;s facade has been modified, the building retains its notable terra cotta cornice.</p><br>
<p>Walter Rogers Furness Cottage  &ndash; also known as the "Old Infirmary" or the "Jekyll Island Infirmary" &ndash; is a Shingle Style building on Jekyll Island, in Glynn County, Georgia, United States.</p><br>
<p>It is one of thirty-three contributing properties in the 240-acre (97.1 hectares) Jekyll Island Club Historic District. The district was added to the National Register of Historic Places in 1972, and designated a National Historic Landmark District in 1978.</p><br>
<h2>Walter Rogers Furness</h2><br>
<p>Walter Rogers Furness (1861&ndash;1914) was an American architect and real estate developer, and the eldest son of Shakespearean scholar Horace Howard Furness and Helen Kate Rogers. He attended private schools in Philadelphia and Harvard University. Like his friend and Harvard classmate, author Owen Wister, Furness traveled to the American West for recreation, hunting and fishing.</p><br>
<p>His uncle, Fairman Rogers, told him about plans to develop Jekyll Island as an exclusive winter hunting resort, and in 1886 Furness was the youngest of the fifty-three founding members of the Jekyll Island Club. He worked for Furness, Evans & Company, the architectural firm founded by his uncle, Frank Furness, and was promoted to partner in 1896.</p><br>
<p>A member of the Racquet Club of Philadelphia, Furness was blinded in one eye while playing rackets in 1898. The injury made it difficult to draw with precision, so he gave up architecture. It made it impossible for him to aim a rifle, so he gave up hunting. He sold his shares in the Jekyll Island Club, and allowed his membership to lapse in 1901. He inherited his Rogers grandparents Philadelphia city house, at the southwest corner of Locust Street and Washington Square West, and demolished it to build a 1909 office building (designed by Furness, Evans & Company). "Repeated bouts with alcoholism brought about strained relations with his family." His wife died at age 47 in January 1914, and he died of Brights disease a month later, following a heart attack.</p><br>
<h2>Cottage</h2><br>
<p>Walter Rogers Furness was listed as the Furness, Evans & Company individual-in-charge for the Jekyll Island cottage,</p><br>
<p>The twelve-room, -story cottage is slightly raised on footings. "The overhanging shingled volume of the second story is carried on slender, turned porch posts," creating a J-shaped covered porch beneath. The entrance is indicated by a Juliet balcony on the west façade, and the apsidal south façade features a peak-ceilinged semicircular sleeping porch on the second story. To the east is a -story section containing the dining room and kitchen, with bedrooms and servant quarters above.</p><br>
<p>The unusual apsidal-ended cottage is reminiscent of Frank Furnesss apsidal-ended University of Pennsylvania Library (1888-1891), a building then under construction. Walter Rogers Furnesss father served as chairman of the librarys building committee, and was intimately involved in its planning and detailing. The library inspired the design of Frank Furnesss own apsidal-ended country house, "Idlewild" (1890), built in the Philadelphia suburbs, just outside Media, Pennsylvania.</p><br>
<h3>Later owners and occupants</h3><br>
<p>Publisher Joseph Pulitzer purchased the cottage from Furness in 1896, and had it moved to his building lot at Riverview Drive and Stable Road. He lived in the cottage through two winter "seasons" while his own twenty-six-room villa was under construction. He then slightly moved the cottage&mdash;about &mdash;and used it to house servants. Hydroelectric power magnate and art patron John J. Albright purchased the Pulitzer villa in 1914, slightly moved the Furness cottage&mdash;about &mdash;and also used it to house servants.</p><br>
<p>The parents of lumber executive Frank H. Goodyear, Jr. built an Italian villa on the club compound in 1906. He inherited their villa, and was himself elected to membership in 1916. Goodyear purchased the Furness cottage from Albright in October 1929, intending to relocate it. On January 21, 1930, it was moved a distance of about a quarter-mile (400 m), to the northeast corner of Old Plantation and Stable Roads (its current site). Goodyear renovated the cottage, equipped as an infirmary, and donated it to the club in memory of his mother. The Josephine Goodyear Memorial Infirmary was in operation from 1930 to 1942, when the Jekyll Island Club went out of business.</p><br>
<p>Georgia obtained Jekyll Island through eminent domain in 1947, and operated it as a state park for several years. Various authority employees leased the Furness cottage as a residence, into the 1990s.</p><br>
<p>Hurricane Matthew hit Jekyll Island in October 2016, and the Furness cottage was damaged by a fallen tree. Repairs and renovations to the building were completed in Summer 2017. The restorers painted the cottage the same pale blue color that it had been in the 1930s and 1940s, when it served as Jekyll Island Infirmary.</p><br>
<p>The nearby Jekyll Island Museum moved its visitors center and gift shop to the cottage, while its own building underwent renovations. Following nearly two years of work, the Jekyll Island Museum reopened on April 27, 2019.</p><br>
<p>The J.G. McDonald Chocolate Company Building in Salt Lake City, Utah, United States, is a 4-story commercial structure designed by John A. Headlund and completed in 1901. The original 3-story brick and stone building was expanded to four stories soon after construction, and it continued to expand as the company grew. The building was added to the National Register of Historic Places in 1978, and it is now included in the Warehouse District.</p><br>
<h2>History</h2><br>
<p>McDonald Brothers was founded by John T. McDonald, a wholesale grocer and confectioner, in 1863. By 1890 the company specialized in candy and operated under the name James G. McDonald & Co., and in 1899 the firm employed 126 workers. In 1900 the firm incorporated as the J.G. McDonald Candy Co., and in 1912 the company name changed to J.G. McDonald Chocolate Company. The J.G. McDonald Chocolate Company Building was constructed in 1901, and at the new site the company increased employment to 400 workers.</p><br>
<p>Major expansions at the building occurred in 1912 and in 1920. After the 1920 expansion, the building was large enough to contain four factory operations, including manufacture of cardboard and wicker-basket candy boxes.</p><br>
<p>The First Security Bank Building in Salt Lake City, Utah, is a 12-story International Style commercial structure built in 1954. The building was designed by Wenceslao Sarmiento in consultation with W.G. Knoebel, chief designer for the Bank Building & Equipment Corporation of America, and local supervising architect Slack Winburn. It was listed on the National Register of Historic Places in 2005. Constructed for the First Security Corporation, the building was the first skyscraper built in Salt Lake City after the Great Depression. It was rehabilitated in 2004.</p><br>
<p>The First Security Bank Building has been compared with the United Nations Building, the Lever House, and the PSFS Building because of its glass curtain and cubic shapes, asymmetrical composition, and lack of ornament.</p><br>
<p>Covenant Beach Bible Camp, now known as Des Moines Beach Park, is a public site in Des Moines, Washington. Established in 1931, it was added to the National Register of Historic Places in 2006.</p><br>
<h2>Description</h2><br>
<p>Covenant Beach Bible Camp is situated in an 18-acre (7.3 ha) valley at the mouth of Des Moines creek where the creek meets Puget Sound. The south end of the site consists of a saltwater beach front, rock seawall and tide flats.</p><br>
<p>The buildings contributing to the historic designation are:</p><br>
<p>Sports cabin (1931) is a one-story 13x20 ft wood building that is a representative example of cabins built during the camp&#39;s early years.</p><br>
<p>Roadside cabin (1931) is a one-story 17x15 ft wood building was built as family summer quarters.</p><br>
<p>The dining hall (1934) is a two-story 44x110 ft wood building that spans Des Moines Creek.</p><br>
<p>Sun Home Lodge (1934) is a two-story 24x50 ft wood building that was used as a girls&#39; dormitory.</p><br>
<p>Carlson House (1935) is a one-story 32x24 ft wood building that was built as a residence for the original site surveyor.</p><br>
<p>The woodshop (1945) is a one-story 28x54 ft wood building with a concrete floor and a covered walkway that connects to the picnic shelter.</p><br>
<p>Additional buildings include the auditorium, Founders Lodge, caretakers residence, and a picnic shelter built in 1920 which has a brick fireplace and served as the camps first kitchen.</p><br>
<h2>History</h2><br>
<p>Before Covenant Beach Bible Camp was established, the site was used as a campground for orphans from the Children&#39;s Industrial Home and Training School. Mr. and Mrs. Herman Draper, who ran the orphanage, purchased the campground around 1917. The private park was available for rent.</p><br>
<p>The bible camp was established in 1931 by the North Pacific Conference of the Evangelical Covenant Church. Initially, the North Pacific Conference leased the Draper Park site with an option to buy. Favorable response encouraged them to go forward with the purchase. Draper Park was officially renamed Covenant Beach in 1932.</p><br>
<p>Over the years, the church added cabins and buildings. The dining hall was designed in 1934 by Marvel Johnson Blomdahl, a twenty-year-old architecture student who would become one of the first female graduates of the University of Washingtons School of Architecture. Lots were leased to members of the congregation on which to build their own cottages. Most cabins and cottages were built between 1933 and 1936. Some lots had platforms, and visiting families would pitch their tents on the platforms. In later years, the cottage or cabin that they had built on their leased lot served as a familys summer home.</p><br>
<p>The seasonal bible camp became a public park in 1988.</p><br>
<h2>Restoration</h2><br>
<p>After the city took over the site, some cabins and cottages which had fallen into disrepair were demolished or moved. One rustic bridge was rebuilt in 1984 from old logs.</p><br>
<p>Restoration of the dining hall began in 2008. Because the dining hall was located in a flood plain, the building was given a new foundation 3 ft above the flood plain. Some work required modifications to Des Moines Creek to mitigate flood risks and reduce impact on salmon. By 2010, additions enabled access in compliance with the Americans with Disabilities Act of 1990. The extensive interior and exterior renovations were completed in 2016.</p><br>
<p>The restoration of the Des Moines Beach Park auditorium won the John D. Spellman Preservation Award for Exemplary Achievement in Historic Preservation in 2013.</p><br>
<p>The Richard P. Huger House, at 1901 Wilmer Ave. in Anniston, Alabama, United States, was built in 1888. It was listed on the National Register of Historic Places in 1985.</p><br>
<p>It has also been known as the Brazelton House or the Huger-Brazelton House. It was deemed "significant for its association with Dr. Richard P. Huger who was the first physician to practice in Anniston and who served two terms as mayor of the city from 1887-1891."</p><br>
<p>It is one of few surviving houses "of quality" from Anniston&#39;s construction boom of the 1880s. It is basically Classical Revival in style, but with Shingle Style influence.</p><br>
<p>It is locally attributed to architect William H. Wood.</p><br>
<p>The McKleroy-Wilson-Kirby House, at 1604 Quintard Avenue in Anniston, Alabama, United States, is a Queen Anne-style house built in 1888. It was listed on the National Register of Historic Places in 1984.</p><br>
<p>It is attributed "by tradition" to architect John Moser.</p><br>
<p>The house was deemed "architecturally significant as the last remaining mansion on Anniston&#39;s premier 19th century boulevard – Quintard Avenue" and as a good example of Queen Anne architecture.</p><br>
<p>It was also deemed "significant for its associations with John Martin McKleroy and his son, William Henry, both of whom occupied the house. The elder McKleroy was associated with a number of the major industrial concerns in the city and prior to moving to Anniston in the 1880s, was a powerful politician - serving as chairman of the State Democratic Executive Committee in 1886. His son served as mayor of the city and was president of both the Anniston National Bank and the Oxford National Bank."</p><br>
<p>The property includes its carriage house and a guest house.</p><br>
<p>The L&#39;Esperance Historic District, located east of Cruz Bay off Center Line Rd., on Saint John in the USA Virgin Islands, is a historic district which was listed on the National Register of Historic Places in 1981. It is located within Virgin Islands National Park. The listing included two contributing structures and nine contributing sites on 6.3 acre.</p><br>
<p>It was a prime sugar plantation area, for agricultural purposes, due to the quality of its soil, its permanent spring as a water supply, and its relatively high precipitation. In a compact area the plantation had numerous buildings including two horsemills, a factory, a cistern, a great house, a cook house, a storage building, a cemetery, and a stone bridge, plus retaining walls and stone fencing.</p><br>
<p>It was deemed architecturally notable for the high quality of workmanship observable in its Great House and in its service buildings&#39; "masonry as well as the use of volcanic sandstone as a building material. This exotic material to the Virgin Islands was probably imported from the Leeward Islands."</p><br>
<p>The William L. Welsh Terrace is a multi-family dwelling located at 101-105 West Dutton Street in Kalamazoo, Michigan. It was listed on the National Register of Historic Places in 1983.</p><br>
<h2>History</h2><br>
<p>William L. Welsh was one of Kalamazoo&#39;s prominent nineteenth-century builders. In 1895, Welsh constructed this small apartment building on land adjacent to his house. The building was designed as a triplex for well-to-do families. Among the first occupants of the Welsh Terrace was Kalamazoo paper manufacturer Frank Milham, one of the</p><br>
<p>founders of the Bryant Paper Mill.</p><br>
<h2>Description</h2><br>
<p>The Welsh Terrace is a three-story brick veneer Colonial Revival structure topped with a mansard roof. The facade is divided into three parts, with a central, projecting pavilion flanked by an engaged towers with conical roofs. A broad Tuscan-column front porch extends across the structure. Bay window units on each side elevation also have high, conical roofs. Dentiled cornices run under the roof. Gabled dormers, some containing round-headed windows, pierce the mansard roof.</p><br>
<p>The Broadway Hotel is a historic hotel in Salt Lake City, Utah, United States.</p><br>
<h2>Description</h2><br>
<p>The 3-story building was designed by Bernard O. Mecklenburg and constructed in 1912. Original owners were Samuel and David Spitz. The brick building features a denticulated cornice and a prominent portico above the hotel entrance. The hotel was added to the National Register of Historic Places in 1982, and it is now a contributing resource of the Warehouse District.</p><br>
<p>Salt Lake City buildings designed by architect Bernard Ollington Mecklenburg include the Broadway Hotel, Holy Cross Hospital, renamed Salt Lake Regional Medical Center, and the Mecklenburg Apartments, renamed the Maryland Apartments.</p><br>
<p>The Lindemann and Hoverson Company Showroom and Warehouse is a historic industrial building at 2620 W. Washington Boulevard in the East Garfield Park neighborhood of Chicago, Illinois. The Lindemann and Hoverson Company, which manufactured heaters, stoves, and electric kitchen tools, built the building in 1924. Architect Paul Gerhardt, Sr., designed the industrial loft; while such buildings were often plain structures, his design is more formal and includes ornamentation. The building&#39;s showroom section, which encompasses the first two floors on the west side, is clad with a terra cotta section which features pilasters and a frieze. The remainder of the building has a brick exterior, though it includes terra cotta medallions and a cornice. Lindemann and Hoverson occupied the building until 1941.</p><br>
<p>The building was added to the National Register of Historic Places on November 26, 2008.</p><br>
<p>The Judge Building , is a historic commercial building in Salt Lake City, Utah, United States, that is listed on the National Register of Historic Places .</p><br>
<p>__TOC__</p><br>
<h2>Description</h2><br>
<p>The 7-story commercial office building was designed by David C. Dent and constructed for Mary Judge in 1907. The facade features masonry piers capped by terracotta floral designs and canine heads segmenting a sixth floor lintel. Circles with inverted triangles decorate the parapet below a copper, denticulated cornice. The Judge Building was added to the National Register of Historic Places in 1979.</p><br>
<p>Seven railway companies leased space in the building prior to its completion, and the number later increased to 22 railway companies. When the building opened in 1908, almost all office space already was rented.</p><br>
<p>The Bombing:</p><br>
<p>In October of 1985, stockbroker, Steven Christensen, 31 years old, had just arrived at his office in the Judge Building shortly after 8 A.M. when a box bearing his name and lying in a corridor exploded, killing him instantly, the police said. This incident was featured in the 2021 Netflix documentary series Murder Among the Mormons.</p><br>
<h2>Mary Judge</h2><br>
<p>Mary (Harney) Judge (April 19, 1841-November 8, 1909) was a real estate and mining investor based in Salt Lake City. Her husband, John Judge, had been a wealthy investor in the Daly Mine in Park City, later incorporated as Utahs Silver King Mine. After her husbands death in 1892, Mary judge became well known in business and in philanthropy.</p><br>
<p>Kalamazoo&#39;s Old Central High School, also known as the Community Education Center, is an educational building located at 714 South Westnedge Avenue in Kalamazoo, Michigan. It was listed on the National Register of Historic Places in 1983. As of 2022, the building is home to the adult education programs of the Kalamazoo Public Schools  as well as the Kalamazoo Area Math and Science Center , a magnet school for high school students from 13 local school districts who excel in the areas of math and science. It is also the home of the Chenery Auditorium, one of the performance venues for the Kalamazoo Symphony Orchestra.</p><br>
<h2>History</h2><br>
<p>Kalamazoo originally had four schools in four separate districts. The city&#39;s first Union School, uniting these districts, was constructed on this site in 1857–58.</p><br>
<p>The high school again became overcrowded in the mid-1960s. In 1968, the school board approved a plan to build a new high school, which was completed in 1972. The old Central High School building was renamed the Community Education Center, and has been used for a variety of Kalamazoo Public School programs and offices including the Kalamazoo Area Math and Science Center.</p><br>
<h2>Description</h2><br>
<p>Old Central High School is a four-story Tudor Revival structure with an E-shaped facade. It is faced with red brick and has limestone trim. The building is a block long and consists of two sections: the 1912 south wing containing a manual training and gymnasium building, and the 1923-24 main, front section.</p><br>
<h2>Kalamazoo Area Math and Science Center</h2><br>
<p>The Kalamazoo Area Math and Science Center (KAMSC) was devised in 1981 by The Upjohn Company and established with the support of schools from the Greater Kalamazoo Area. The school officially opened in 1986 as a four-year program with the total capacity for 300 students funded with a grant of two million dollars from The Upjohn Company and administered by Kalamazoo Public Schools (KPS). Located on the fourth floor of the Old Central High School building, KAMSC&#39;s main purpose is to provide accelerated learning in mathematics and science to qualifying students in the Kalamazoo area selected through a yearly application process. Filling the math and science requirements for each student, students attend the remainder of their classes at public and private schools all over Kalamazoo County, with the primary applicant pool stemming from the Kalamazoo Regional Educational Service Agency (KRESA); while the school itself is under the authority of KPS, its students are not required to attend a KPS high school in tandem with KAMSC.</p><br>
<p>The W.S. Jeffery Farmstead is a historic estate with a farm house, a barn and several outbuildings in Benedict, Nebraska. The farm was established in 1878, and the barn was built in 1879–1880, followed by a farm house designed in the Queen Anne architectural style, built in 1900–1902. They were built for William Scott Jeffery, a settler from Pennsylvania who became a farmer in Illinois in the 1860s before moving to Nebraska a decade later. Jeffery lived here with his wife, née Laura Dickey, their three sons, Basil, Earl and Orman, and their daughter, Leona Idilla. The family spent their winters in another house in Lincoln. One of their sons, Orman Schuyler Jeffery, lived on the farm until his death in 1951. It remained in the Jeffery family in the 1980s. The property has been listed on the National Register of Historic Places since July 26, 1982.</p><br>
